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Personality Cult

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The media’s spotlight systematically distorts the way we see the world

By George Monbiot, published in the Guardian 3rd October 2018

 

What kind of people would you expect the newspapers to interview most? Those with the most to say, perhaps? Or maybe those with the richest and weirdest experiences? Might it be philosophers? Or detectives? Or doctors working in war zones, refugees, polar scientists, street children, firefighters, base jumpers, activists, writers or free divers? No. It’s actors. I haven’t conducted an empirical study, but I would guess that between a third and a half of the major interviews in the newspapers feature people who make their living by adopting someone else’s persona and speaking someone else’s words.

This is such a bizarre phenomenon that, if it hadn’t crept up on us slowly, we would surely find it astounding. But it seems to me symbolic of the way the media works. The media’s problem runs deeper than fake news. What it offers is news about a fake world.

I am not proposing that the papers should never interview actors, or that they have no wisdom of their own to impart. But the remarkable obsession with this trade blots out other voices. One result is that an issue is not an issue until it has been voiced by an actor. Climate breakdown, refugees, human rights, sexual assault: none of these matters, it seems, can surface until they go Hollywood.

This is not to disparage the actors who have helped bring them to mainstream attention, least of all the brave and brilliant women who exposed Harvey Weinstein and popularised the #MeToo movement. But many other brave and brilliant women stood up to say the same thing – and, because they were not actors, remained unheard. The #MeToo movement is widely assumed to have begun a year ago, with Weinstein’s accusers. But it started in 2006, when the motto was coined by the activist Tarana Burke. She and the millions of others who tried to speak out were neither literally nor metaphorically in the spotlight.

At least actors serve everyone. But the next most-interviewed category, according to my unscientific survey, could be filed as “those who serve the wealthy”: restauranteurs, haute couturists, interior designers and the like, lionised and thrust into our faces as if we were their prospective clients. This is a world of makebelieve, in which we are induced to imagine we are participants, rather than merely gawpers.

The spotlight effect is bad enough on the culture pages. It’s worse when the same framing is applied to politics. Particularly during party conference season, but at other times of the year as well, public issues are cast as private dramas. Brexit, that is likely to alter the lives of everyone in Britain, is reduced to a story about whether or not Theresa May will keep her job. Who cares? Perhaps, by now, not even Theresa May.

Neither May nor Jeremy Corbyn can carry the weight of the personality cults that the media seeks to build around them. They are diffident and awkward in public, and appear to writhe in the spotlight. Both parties grapple with massive issues, and draw on the work of hundreds in formulating policy, tactics and presentation. Yet these huge and complex matters are reduced to the drama of one person’s struggle. Everyone, in the media’s viewfinder, becomes an actor. Reality is replaced by representation.

Even when political reporting is not reduced to personality, political photography is. An article might offer depth and complexity, but is illustrated with a photo of one of the 10 politicians whose picture must be attached to every news story. Where is the public clamour to see yet another image of Theresa May – let alone Boris Johnson? The pictures, like the actors, blot out our view of other people, and induce us to forget that these articles discuss the lives of millions, not the life of one.

The media’s failure of imagination and perspective is not just tiresome; it’s dangerous. There is a particular species of politics that is built entirely around personalities. It is a politics in which substance, evidence and analysis are replaced by symbols, slogans and sensation. It is called fascism. If you construct political narratives around the psychodramas of politicians, even when they don’t invite it, you open the way for those who can play this game more effectively.

Already, this reporting style has led to the rise of people who, though they are not fascists, have demagogic tendencies. Boris Johnson, Nigel Farage and Jacob Rees-Mogg are all, like Donald Trump, reality TV stars. The reality TV on which they feature is not The Apprentice, but Question Time, and other news and current affairs programmes. In the media circus, the clowns have the starring roles. And clowns in politics are dangerous.

The spotlight effect allows the favoured few to set the agenda. Almost all the most critical issues remain in the darkness beyond the circle of light. Every day, thousands of pages are published and thousands of hours broadcast by the media. But scarcely any of this space and time is made available for the matters that really count: environmental breakdown, inequality, exclusion, the subversion of democracy by money. In a world of impersonation, we obsess about trivia. A story carried by BBC News last week was headlined Meghan Closes a Car Door.

The BBC has just announced that two of its programmes will now start covering climate change once a week. Given the indifference and sometimes outright hostility with which it has treated people trying to raise such issues over the past 20 years, this is progress. But business news, though less important than environmental collapse, is broadcast every minute, partly because it is treated as central by the people who run the media, and partly because it is of pressing interest to those within the spotlight. We see what they want us to see. The rest remains in darkness.

The task of all journalists is to turn off the spotlight, roll up the blinds and see what’s lurking at the back of the room. There are some magnificent examples of how this can be done, such as the Windrush Scandal reporting by Amelia Gentleman and others. This told the story of people who live far from where the spotlight falls. The articles were accompanied by pictures of the victims, rather than those of the politicians who had treated them so badly: their tragedies were not supplanted by someone else’s drama. Yet these stories were told with such power that they forced even those within the spotlight to respond.

The task of all citizens is to understand what we are seeing. The world as portrayed is not the world as it is. The personification of complex issues confuses and misdirects us, ensuring that we struggle to comprehend and respond to our predicaments. This, it seems, is often the point.

www.monbiot.info

 

 

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TheDimPause
18 days ago
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Aberdare, UK
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How poetry can light up our darker moments

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In this fast-moving technological world, lines of poetry can be food for the soul and help people with mental illness

How can learning poetry by heart help us to be more grounded, happy, calm people? “Let me count the ways,” says Rachel Kelly, who has suffered from anxiety. Whenever she’s feeling wobbly, she finds reciting lines of poetry is grounding, validating and connects her to others who have felt as she is feeling in this moment. And it’s something we can all do: poetry we’ve learned to recite means we have another voice inside us that’s always there, a kind of on-board first responder in times of psychological need.

There’s also a certainty and stability about being able to conjure those words: they’re a crutch, we can lean on them, they can even do the thinking for us. Kelly describes how two lines from Invictus by WE Henley can make all the difference to what happens to her next: “I am the master of my fate/I am the captain of my soul.” When all she can hear in her head are negative voices, she can drown them out by repeating, over and over, positive lines from poetry: they’re substitutions, life-giving mantras rather than life-sapping ones.

He held my hands across the century and said to me I’d be OK

One of the most lasting cures has been here all along

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TheDimPause
22 days ago
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Aberdare, UK
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Feel Free by Nick Laird review – glimpses of elsewhere

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Nick Laird’s acute eye and shades of meaning make these poems a gift to read

Feel Free is an ambiguous title. You could be taking an empty chair with Laird’s permission and helping yourself to his poems, or it might be an imperative on how to live your life. (The title proved so tempting that Zadie Smith, Laird’s wife, poached it for her recently published essay collection; they now find themselves in the engagingly absurd situation of having published two books under the same name, a form of literary marriage, you could say.)

Throughout this outstanding collection, there is the sense of an elsewhere, at once tantalisingly close and unreachable. The opening poem, Glitch, describes a fall and the unshakable sense that follows, “of being wanted somewhere else”. It recalls Emily Dickinson’s line: “Life is over there – Behind the shelf…” Yet Dickinson’s lonely oddity could not be more different from Laird’s family scene (described with subtle, self-disparaging wit in Fathers). In the title poem, he aspires to a “neutral buoyancy” and appreciates the “steady disruption” of a stream. But life does not do steady for long.

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TheDimPause
76 days ago
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On The Jolly Swagmen podcast, discussing economics, the economy, politics, Europe & Greece

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Joe speaks with former Greek Finance Minister Yanis Varoufakis, the man who defied Europe to save Greece – and failed. Yanis, the suave economics professor turned unexpected politician, has recently announced he will run for Prime Minister of Greece at the next national elections. He is the author of multiple books including And The Weak Suffer What They Must?Adults in the Room, and Talking to My Daughter About the Economy.

CLICK HERE FOR THE PODCAST

Topics discussed

  • What three core economics concepts should a person know in order to be a minimum effective citizen? [4:30]
  • What percentage of citizens in a Western nation like US, Australia or Greece actually understand basic economics?[8:40]
  • Why government spending is not analogous to household spending. [9:14]
  • Game theory and the prisoner’s dilemma from the guy who wrote a textbook about them. [14:52]
  • Who were Yanis’ parents and how did they meet? [21:24]
  • Insiders vs. outsiders. [26:56]
  • The prevailing atmosphere in an insolvent post-2010 Greece. [32:50]
  • How does a country become insolvent? [43:04]
  • Why Greece needed debt restructuring. [45:02]
  • The cold logic behind why the Troika wished to impose more loans on Greece. [50:32]
  • What is Angela Merkel like as a leader and a person? [55:00]
  • The Greek Bankers threaten Yanis and his family, who move to the US. [57:45]
  • Staring down the Troika, as Finance Minister of Greece. [1:01:02]
  • Does game theory apply to the negotiations between Greece and the Troika? [1:09:39]
  • Whose idea was the Greek Bailout Referendum and why did it lead to Yanis’ resignation? [1:12:04]
  • Is Alexis Tsipras an insider or an outsider? [1:15:43]
  • What motivated Alexis Tsipras to accept the european programme? [1:17:10]
  • What general lessons did Yanis take from the Greek government-debt crisis? [1:18:09]
  • Is there such a thing as “too much” government debt? [1:20:08]
  • What is Yanis’ advice to the Australian Treasurer? [1:21:22]
  • DiEM, Yanis’ new democratic movement. [1:22:42]

Selected links

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TheDimPause
89 days ago
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Communism: A short guide for confused journalists

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Following Ash Sarkar’s recent “I’m literally a communist” moment on Good Morning Britain, there’s been a lot of fairly messy attempts by media names to explain what communism is — hopefully the following will help them out (apologies for the elderly Drake meme). From Matthew Parris suggesting “communism means State control of the means of production,
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TheDimPause
89 days ago
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Aberdare, UK
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